The person painted by Egon Schiele

REFERENCE: [uploaded image of person]

The person painted by Egon Schiele. 
Nervous angular line, mottled raw skin, twisted hands.

CRITICAL LIKENESS: RECOGNIZABLE despite distortion. 
USE LIKENESS ONLY, NOT pose. ENTIRELY DRAWN AND PAINTED.

ONE SINGLE IMAGE. EXACTLY ONE PERSON.

HEADWEAR AND GLASSES: Beanie KEPT in ochre, 
drawn in angular line. Glasses KEPT as sharp 
nervous strokes. Both clearly visible.

SCHIELE TECHNIQUE:
- Nervous jagged angular contour line, 
the line is everything
- Pencil outline, watercolor and gouache 
filling loosely
- Color escaping the outlines
- Areas of bare paper left unpainted
- Unfinished, raw, urgent

THE FACE:
- Gaunt, angular, sharpened cheekbones
- Features slightly distorted
- Skin mottled with green, red, ochre, grey patches
- Blotchy, feverish, uneasy
- Eyes large and direct, staring straight out
- Facial hair as scratchy nervous marks

THE HANDS:
- Prominent, splayed, twisted
- Long bony fingers at strange angles
- Awkward, expressive, almost painful
- One hand near face or chest

THE BODY: Angular, thin, twisted posture. 
Shoulders hunched. Elongated limbs. 
Clothing in sharp loose folds.

COLORS: Ochre, rust, sickly green, dull red. 
Bare paper white as a color. Mottled patchy skin. 
Muted and raw. Vienna 1910.

BACKGROUND: Empty, undefined, bare paper. No setting. 
Figure floating in nothing.

COMPOSITION: Off-center, cropped oddly. 
Empty space around. Deliberately unbalanced. 
Signature in a corner.

MOOD: "Ingen skönhet, bara sanning." 
The nervous line of Vienna.

Format: 3:4 vertical

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